Shaolin Si Shan Men; The Entrance of Shaolin Temple

The Entrance to the temple consists of a main gate and two side gates flanking it. The main gate is constructed on a brick terrace (2 meters above ground) with single eaves and an exquisitely modified gable roof. It was build in 1735, in the reign of Emperor Yongzheng of the Qing Dynasty.

B/W picture shows the Entrance at the turn of the century. Notice the white colored window frames and the absence of the entrance sign.
Above the lintel one sees a black horizontal board inscribed with three Chinese characters in golden relief 'SHAO LIN SI' (Shaolin temple). The board is 90 by 193 cm. Above the character LIN is carved Emperor Kang Xi's seal: 'Kang Xi Yu Bi Zhi Bao' (Emperor Kangxi has favoured by writing in person hereon). 
According to the History of Shaolin Temple, this board used to hang above the front door of the Tianwang Dian 'Hall of Heavenly Kings'; it was removed to the present place after the hall was burnt down. On careful observation, one finds that the brushwork on the present board for the lower parts of the characters 'SHAO' and 'SI'  are not harmonious. This is the result of later renovations. That the board survived the fire is already a wonder. 

Passing the Entrance one sees Maitreya smiling his welcome. This clay statue of Maitreya is kept in a shrine behind glass and has a gold colour. Up to a few years ago it had lifelike colours.

Behind Maitreya is a figure of Wei Tuo (Skanda) as a principal guard of Buddhism. He too is now enshrined behind glass. 
On either side of the Entrance is a 1.67 meter high stone lion crouching on a 1.75 meter platform. Adding ancient flavour to the place. Next to each lion is a flagpole.


In front of the Entrance, on the left and right side, stand two gateways constructed in the Ming Dynasty. These two gateways, standing homogonously, look the same in appearance. Each has one arch and two pillars, 5.85 meters high and 1.95 meters wide. The tops of both gateways are decorated with carved ridges and tile furrows. Beneath the eaves four modified birch leave shaped brackets support the tops. The stone horizontal laths, square columns and thresholds imitate the style of wooden structures. The main laths are decorated with relief of 'two lions playing with silk balls'  and 'two phoenixes greeting the sun', very popular in the Ming and Qing Dynasties. The front and back sides of the horizontal laths and columns are carved with inscriptions and antithetical couplets related to the history of the temple. Picture on the left shows the archways at the turn of the century: no splay walls yet.
On the eastern part of the eastern archway are in horizontal inscriptions 'Fountain Head of Zen'. 
The couplet reads:
The very centre under Heaven, the topmost noble mountains;
The greatest treasure in the heart, the source of Most-taught Zen
On the western part of the eastern archway is the horizontal inscription 'founded by Ba Tuo' (Ba Tuo or Buddhabadhra was the first eminent Indian monk coming to Shaolin temple. Though not the initiator of Chan sect Buddhism, he was one of its founders.) There is no antithetical couplet on this column.
The eastern part of the west archway has the horizontal inscription 'Holy Place of the Great Vehicle'. The 'Great Vehicle' or Mahayana, and the 'Lesser Vehicle' or Hinayana, are two schools under Buddhism. The Chan sect of Buddhism or Zen, taught by Damo in China came from the 'Great Vehicle'. The 'Great Vehicle' is figuratively used for tidings sufferings over to eternal happiness; whereas the 'Lesser Vehicle' stresses on self cultivation and transcendence.


The couplet reads:

The heart's set in the Cave, the knee-deep snow could but illuminate the transient form. Referring to Hui Ke's first meeting with Damo.
The face toward the cliff, in silent night immortals piping drifted to the ear. Referring to Damo's facing the wall meditation.
The western horizontal inscription of the western archway says 'Song Chan Lin' (Shaolin in Songshan, cradle of Chan), followed by the couplet:
Two pairs of jade wells, pure and limped, bathe the ageless moon.
A reference to the four wells caused to be there as a result of the magic touch of Hui Ke's 'tin cudgel' down on the ground. All wells have different tastes.
Three dozen towering peaks, gree, mystic, glorify mid clouds.
From the smaller words between the horizontal inscriptions we get to know that the east archway was built in the fifth month of the twenty-second year during the reign of Emperor Jia Jing in the Ming Dynasty (1543), and the west archway was built in the autumn of the thirty-fourth year of the same reign (1555).
Part of an outer boundary wall.
The Shaoxi bridge.

The Shaoxi bridge spans over the Shaoxi stream, with the Entrance looking upon it. An single span arch structure standing 5.55 meters above water and stretching 60 meters in length, its 4.29 meter high arch is further made into two curvatures. A dragoons head is carved on the west of the arch, its eyes widening, its mouth opening in readiness of drinking in all torrential floods. On either face of the arch is engraved an inscription, Built in the ninth month of Emperor Xuan Zong (about 1856).

Next:Beilin; Forest of Stelae